danwinckler.com/film


Paul Owens writes to say:

Hey everyone, I just wanted to spread the word that the feature length documentary [Reformat the Planet] that I directed is now streaming off of the mega hipster site Pitchfork Media…

http://pitchfork.tv/week/blip-festival-reformat-the-planet

the whole movie. for one week only!

If you haven’t yet seen it, or have been waiting for a copy that I never got around to sending, please check it out now. for those of you who aren’t familiar with the movie, a little history lesson: i’ve spent the last few years documenting (with pals Asif Siddiky and Paul Levering) the Chip Music scene, which is an underground music movement based around using old videogame hardware (gameboys, nintendo, atari, etc.) as musical instruments.

Eventually we realized we had captured enough footage to make it into one of those feature length documentary-type things. Taking a year to compile the footage, we eventually premiered the film at the South by Southwest Film Festival in Austin in March. It also recently played in Melbourne, Australia and will be seen in Seattle, New York, and Amsterdam in the coming months. But who cares about that? Just go watch it now.

Sorry for the silence here — I’m spectacularly busy, as you might have guessed. I’ll try to post a few times a week: it’ll be brief, messy and the mundane will creep in but hey, doesn’t that describe everything? As I said 10 hours ago, my new thesis is Kids Connect, which brings together a lot of my interests: improv theatre, networked performance and collaboration, Second Life performance, teaching and has the added benefit of institutional support so more of the being-the-producer work is taken care of and I can devote myself to artistic direction and teaching. In other news, the semester is drawing rapidly to a close and I have a paper for Law, a presentation and a project for Media History, a project for Max/MSP/Jitter as well. Exciting stuff. I’m reading Deep Time of the Media by Siegfried Zielinski, key ideas of which can be found in this brief Rhizome interview — and I’m presenting on it and Spectres of the Spectrum (a messy, funny film collage — see this review) on Friday. Key thought from Deep Time for you before I get back to it: the present concentration of power is in control of time, not space. E.g., TV, pace Tivo. (Man, I hope someone gets that besides me.)