danwinckler.com/live visuals


Last month Glomag and I kicked off a new collaboration with a show at XRAY NYC, a new monthly burlesque/magic/awesomeness show put on by those who organized the late Freaks ‘n’ Geeks party. Some of the video Emily (my steadfast documentarian) shot will soon make its way online but, in the meantime, I hope you like these shots Asif Siddiky of 2 Player Productions took as much as I do. Thanks, Asif!

Glomag

Glomag and me

Je Deviens DJ En 3 Jours

relations between hardware and content/intent

The most difficult stage of preparing for a visual performance for me lately has been the process of preparing a ‘patch’ (lately a project file in VDMX) and deciding on connections between my hardware controllers (Trigger Finger, Xbox 360 controller, Wiimote), the patch, and the content (video files, animations, generative elements). Often I wish I could simply have a one click/drag connection between a particular controller and the effect or generator I wish to control: connect Wiimote to OpenEmu instance, done — not connect 7 of 15 Wiimote data sources to 6 or 12 effect parameters. Thinking about this tonight I was reminded of Lance Blisters, the audio/visual duo made up of Geoff Matters (music) and Ilan Katin (visuals), and what I learned of their working processes when I subbed for Ilan for several shows. Some aspects of that process:

  • Lance Blisters (Geoff and Ilan) chose to use the Trigger Finger exclusively to control the visuals. Unless something went wrong, Ilan would not need to touch the mouse or keyboard during the show.
  • Geoff controls the music with a MIDI guitar. After each song, he sent a MIDI command from the guitar (to his laptop > MIDI > WiFi) to Modul8 on Ilan’s computer, triggering the loading of the next song’s project file, using custom modules they wrote. Again, no mousing: just one MIDI CC command triggering the next song’s visual setup. (And one song’s visuals (Grindcore?) were entirely controlled by Geoff via the MIDI guitar.)
  • The controls for each song’s visuals were fitted to the capacity of the Trigger Finger, not the other way around. (And they chose the Trigger Finger because it has 16 pads, matching the 16 slots in Modul8’s media bin.) If a song had more than 16 media in it, a row of pads was often used as a bank switch. Chorus: tap 12 pads to switch animations in time with the music; bridge, tap one pad to switch to another bank of media (reflected onscreen in Modul8), tap the same 12 pads to bring up different media. Again, custom modules were written to make Modul8 fit the songs, not the other way around, e.g., to change the MIDI mappings on the fly, sometimes a module for each song.
  • Each song was practice-practice-practiced to get it into muscle memory.

What is there to take away from this? Obviously the last point is the strongest. Fit the software to the hardware; fit the patch to the song. Whatever you decide to do, practice the heck out of it to make it second nature, making the set tighter and freeing you to play, even improvise. What else? I’m thinking of rewriting all my qcFX (most of which are wrappers for v002 plugins — thank you, vade :)) so that they fit to my controllers, instead of experimenting with different controller mappings during shows. Maybe get more use out of the Trigger Finger’s pads by creating different ‘stab’ behaviors in the different FX/generators, e.g., use the 16 pads as a spatial grid, turning on and switching the direction of particle systems that stream from/in the four quadrants of the screen. We’ll see.

More on the One Step Beyond show soon, hopefully. In case it doesn’t happen, some thank yous: to vade for his plugins, to Momo for his “Momo particles” QTZ and his four-layer setup, to Benton, Owen, Jasmine, Reid, Emily, SeeJ, Peter, and the museum crew, to Chris Covell for his NES demos, to No Carrier for glitchNES, and to Vidvox for VDMX. 🙂

Here’s a small excerpt of my visuals with Dam-Funk at One Step Beyond last night. Details tomorrow. Thanks, Benton!

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Next week I’m flying down to Austin, TX, for South by Southwest 2009 to play the Austin Museum of Digital Art’s Laptop Battle, a head-to-head competition for electronic musicians from all over Texas. I’ll be doing live visuals for part of the night, followed/preceded (not sure yet) by Video Jamz 2012, who are — I’m told — a somewhat absurdist VJ duo (Tom Blackburn and Chad Archer who like to abuse antique video hardware. There will also be a wide assortment of video art by other AMODA-curated artists to see, arrayed pleasingly about The Mohawk, a highly rated venue. It will be hot, hot, hot.

AMODA Laptop Battle
The Mohawk, 912 Red River at 10th St
Friday, March 13th, 9pm-2am
$9 General Admission
$5 for AMODA Members, Free for SXSW badge holders

Update

AMODA posted more details about the show, which I thought I’d share. I’ve been listening to the laptop battle contestants’ tracks on their MySpaces — not done yet but I would already recommend The Mysterious H (chiptunes!) and Uber Dub by Blixaboy. Have a look/listen!

CONTESTANTS:

Blixaboy (Dallas)
The Mysterious H (Austin)
Deejay Yayyay (Austin)
Kidko (Austin)
QuantumEyes Ent. (Austin)
Bangalore (Austin)
Caglioso (Austin)
Disco Hospital (Austin)
Cygnus (Dallas)
Grassnose (Austin)
Skinnebrew the Destroyer (Austin)
Sudrok Inalak (Austin)
DXM (Austin)
Traducer (Austin)
Dubbel Dutch (Austin)
Majora (Austin)

JUDGES:

John Gomi (G on 5 / The Fifth Gallery)
Craig Negoescu (Naka Media / OpenLabs)
Dave Gonzalez (DJ Starsign)
Amanda Butterfield (YellowTape)

EMCEES: (these guys were great last year. really kept the mood up and the flow going)

Phranchyze (Austin)
Zeale (Austin)

DJ for the rest of the space:<br/>

Learning Secrets

Visual Artists: (presenting pre-recorded material)

Catherine Ross
Daniel Swan
Guthrie Lonergan
James Johnson-Perkins
John Michael Boling & Javier Morales
Mac&Cheez + Mistah Le
Melanie Patiram
Video Jams 2013 (also doing live visuals!)
Zeitguised

Tonight I’m doing visuals at the 8static show in Philadelphia with chip musicians Cheap Dinosaurs and Starscream. If for some reason you’re not in Philly (i hate you), you can watch the live webcast tonight on Ustream or in the player below. I’ll be debuting my first visuals using the Open Emu QC plugins — wish me luck!

Update

The show lat night went really well. 🙂 Paris and Outpt’s visuals were astounding, especially their set with Nullsleep: the work they’ve put into collaborating with Jeremiah really shows. I’ll put up some video of my sets this week. Technically, the Open Emu debut went really well — no crashes! Did have one hang, though (not sure of the cause), and two kernel panics (Bluetooth, when connecting the Wiimote). :X


8static: Starscream’s first song from plasticpool on Vimeo.

One video up, more to come: this is the first song of the first set of the night: Starscream (Damon on chip, George on drums) and my visuals. You can hear tracks by both bands on MySpace.

I generated the video live using the Open Emu QC plugins, which let me play original NES ROMs in emulation, live. I used two ROMs, one written by No Carrier and another called Polar Pinwheel by Chris Covell. These ROMs are being played totally live — no pre-recorded video — and partway through the song No Carrier picked up the controller and jammed with me. 🙂

If you’re interested in using No Carrier’s ROM, watch my blog and/or his site for its upcoming release (free and open source).