danwinckler.com/theater


My allergies started two nights ago. The allergen index is high and the predominant pollens are oak, birch and maple. I always forget this stuff so for future reference and so on and so forth. That is all.

In other news, I’m performing a work in progress at Share this Sunday. Writing the Max patches for it has been quite satisfying. The big challenge is writing the video step sequencer*. I’m finding the logical stuff just as fun as the video manipulation.

We’re hosting DrupalCamp at Poly this weekend. Anton and I are hosting/representing IDMI, but I’ll probably be spending a lot of time hiding and working on my patches. :-/

And furthermore, there’s great stuff going on at Issue Project Room this Friday but I can’t go. Perhaps you can go. Think about it.

* Mom and Dad, this means something that plays through a bunch of videos in sequence automatically. It’s trickier than it sounds, especially if you want it to be dynamic, e.g., play them in random order or with crossfades.

Written yesterday. I’m at the New School, doing an all-day webcast for the India China Institute’s big conference, which brings to mind Ross’s recent post about educational webcasts and archiving. The New School Online is a great initiative and it gets the job done, though I wish they’d chosen open source technologies instead of Real and the need for a CMS grows as each event gets added to the hand-coded archives. I’ve yet to learn how much traffic they actually get, but I figure it’s small yet growing. As each month (not year) goes by, more and more activities — economic and cultural — make use of telecollaborative tech like streaming video meetings, wikis and such. One of our selling points to parents for Kids Connect is that their children will have a leg up in the small, loosely organized, distributed businesses of tomorrow* by playing and experimenting with video performance and virtual (Second Life) collaboration. I’m going to get a prototype working environment set up in Second Life as soon as possible. I’m looking forward to Ross and other educators asking hard questions and shredding my assumptions so our workshops in SL can be truly valuable, not just buzzword inclusion.

Speaking of truly valuable places in Second Life, check out _blacklibrary, a cultural center slash micro-publisher. They host fiction, non-fiction, games, graphic novels, and art including sculpture. They’re going to distribute my comic. :)

* And no, that’s not THE LAND OF THE FUTURE with food pills and shiny jumpsuits — it’s…well, 10 minutes from now.

Sorry for the silence here — I’m spectacularly busy, as you might have guessed. I’ll try to post a few times a week: it’ll be brief, messy and the mundane will creep in but hey, doesn’t that describe everything? As I said 10 hours ago, my new thesis is Kids Connect, which brings together a lot of my interests: improv theatre, networked performance and collaboration, Second Life performance, teaching and has the added benefit of institutional support so more of the being-the-producer work is taken care of and I can devote myself to artistic direction and teaching. In other news, the semester is drawing rapidly to a close and I have a paper for Law, a presentation and a project for Media History, a project for Max/MSP/Jitter as well. Exciting stuff. I’m reading Deep Time of the Media by Siegfried Zielinski, key ideas of which can be found in this brief Rhizome interview — and I’m presenting on it and Spectres of the Spectrum (a messy, funny film collage — see this review) on Friday. Key thought from Deep Time for you before I get back to it: the present concentration of power is in control of time, not space. E.g., TV, pace Tivo. (Man, I hope someone gets that besides me.)

Apr
26

O, to be asleep instead of writing at 2:11 AM. O, alack this brain of mine.

The long and short, quickly: got back from Texas on Sunday. Four of us Share people went down to setup a Share jam at the Media Archaeology Festival at Aurora Picture Show. Went great, saw and met many wonderfully sweet people. Pics to come on the Share site.

The big news: my thesis has changed. A great opportunity fell in my lap; things folded together. I sat in on a net conference call two weeks ago and whiff-boom-bang! I’m suddenly co-organizing and teaching Kids Connect, a series of summer workshops for kids in theatrical and technological collaboration, sponsored by ZoomLab, the Waag Society and Polytechnic University. It brings together a lot of my interests and goals — it gelled quickly, a total no-brainer. One thing I brought to the table is the still relatively untapped potential for education and performance in Second Life and it’s that which is keeping me up brainstorming right now. What would make a compelling indigenous performance in Second Life? That is, one that is not virtual set dressing for a real life performance but a truly virtual performance that couldn’t be done in meatspace.

Wandering through SL, I’m struck again and again by how meatoid it is. Virtual human bodies walking on two legs and seeing with one eye. Houses with four walls as if there were a need for load-bearing members. It seems to me that an indigenous, exciting Second Life performance ought to be code-intensive (possibly generative), interactive, and transformative — literally body-changing — warping your avatar, multiplying and distributing its eyes and ears. Kaleidescopic eyes as big as houses. Think a live machinima of The Matrix: The Musical! with Vishnu as Neo, dance numbers choreographed by the mutant child of Busby Berkeley and Chris Cunningham). Hopefully this silly hyperbole sounds more exciting to you than listening to streaming audio while watching a jerky animation of a guy playing a guitar.

Not that I’m no longer into Real Life/Second Life performances, of course.

Maybe I can get to sleep now.

p.s.

Inworld I’m Dan Magpie and here’s a link to my land.

Been interested in the downtown music and visual scene but just don’t have a lot of time to investigate? Take a crash course for just $30 this Monday night as a phenomenal array of more than sixty downtown artists come together to benefit David Linton of UnityGain at Tonic. What, you’ve gotta work ’til nine? Then see the latter part of the show for just $10.

As the guy behind Unity Gain, David Linton has been making video art and supporting video artists since before I was born. Come out and see a phenomenal array of downtown audio and visual artists blow the roof off Tonic. Come see Eric Bogosian and Kate Valk, Diamanda Galas and Shelley Hirsch, Koosil-ja and Lance Blisters and many, many more. If you saw these artists individually you’d probably end up paying a thousand bucks. See them all Monday for $30 (or $10 for just the Subtonic events).

David Linton’s New York 5.0

A 50-year celebration and benefit at Tonic (107 Norfolk St. between Rivington & Delancey, NYC)
Monday, March 20, 2005 8 pm till late
Full info at http://www.unitygain.org/benefit

part I : ‘PARTNERS IN TIME’ featuring live performances by

Diamanda Galas, Christian Marclay/Ikue Mori/Anthony Coleman, Lee Ranaldo, Eric Bogosian, Matthew Ostrowski, Shelley Hirsch/David Weinstein, Kate Valk (of The Wooster Group), Koosil-ja, Charles Atlas, Hahn Rowe with Raz Mesinai, and the Alien Comic. With Master of Ceremonies John Gernand and closing remarks by “Sally Rand”(Toni Dove).

part II : UnityGain

The legendary electronic soiree ‘UnityGain’ follows immediately in the Tonic main space @ 11:15 pm featuring live collaborative audio visual performances by:

Audio artists – Charles Cohen, Antfactor, qpe, Lloop, Warbulator (Jodi Shapiro), Doily, Bubblyfish, Glomag, David Last, Brian Moran, Gen Ken Montgomery, Zach Layton and Bruce Tovsky. Visual artists – Benton-C, Angie Eng, Bill Etra, c.h.i.a.k.i., feedBUCK GaLORE, Naval Cassidy, Andy Graydon, Giles Hendrix, Adam Kendall, Katherine Liberovskaya, Lu(x)z, Peter Shapiro, Caspar Stracke, CHiKA.

part III : Nought for Naught

From 9 pm on ‘Nought for Naught’ in the Subtonic Lounge offers a packed roster of DJ, VJ & live audio-visual performers into the wee hours, featuring:

Aerostatic, Darryl Hell, Danny Hamilton, DJ $mall Change, DJ Spinoza, Firehorse, Jason BK (Blackkat), Toshio Kajiwara, Lance Blisters (AV), LoVid (AV), Socks and Sandals;Chris Jordan, Eric Dunlap, Eric Redlinger, Dan Vatsky and Dan Winckler, and Jeremy Slater.

Background

In celebration of the fiftieth birthday of David Linton, downtown music pioneer, Tonic has donated its space for an entire evening of performances by musicians and artists who have worked with Linton over the past twenty-five years.

Unfortunately, David’s birthday has been darkened by a most distressing event: he was recently robbed in his home at knifepoint, emerging fortunately unscathed, but losing all of his equipment, which sadly contained much of his recent work. In order to recoup the loss of what can be replaced, and salute his talents and contributions to music in New York, his friends and collaborators through the years are joining together for a night of multimedia performances on March 20th. We hope you can join us, to both celebrate his work and help make it possible for him to continue it.

Tickets

Tickets are $30.00 for the full evening including: ‘PARTNERS IN TIME’, ‘UNITYGAIN’ and ‘NOUGHT for NAUGHT’. $10.00 for ‘UNITYGAIN’ and ‘NOUGHT for NAUGHT’ only.

Advance tickets recommended; available now at Tonic (107 Norfolk Street) and Other Music (15 East 4th Street). Cash only tickets will be sold at the door on March 20, 2006 subject to availability.

For updates check http://www.unitygain.org/benefit.

BENEFIT ONLINE ART AUCTION

Monday March 6th – Monday March 27th, 2006

In consideration of David Linton’s commitment to multimedia and video art, the Outpost, a resource for artists in new media and video, is sponsoring an art auction as part of the benefit activities for David Linton’s NY 5.0. Works will be auctioned online at http://www.unitygain.org/auction, and all money raised will be contributed to the David Linton Recovery Fund.

Participating artists include Laura Parnes, Michael Smith, Ralph Lemon, Javier Tellez, John Brattin, Robert Boyd, Oliver Herring, Barbara Ess, Johanna Malinowska, Andrew Sutherland and Caspar Stracke.

Private donations will be accepted at Tonic on March 20th by Stephanie Palmer. Questions regarding donations may be addressed to lintonbenefit@gmail.com.

http://unitygain.org/benefit/
http://unitygain.org/auction/
http://tonicnyc.com